Emotional athletes?!

Hey, you! Yes, YOU! Read this.

(Sorry, I sometimes aim to be more original than “Hello, everybody”).

Anyhow, I’m just writing in ‘cos:

a) I’m bored silly and struggling to stay awake here at the Bulletin and

b) I’m just bored silly, OK? Isn’t that good enough?

Where in the world is everyone? Well, OK, maybe that’s none of this snitch’s business. What I really mean is, why isn’t anyone writing in as much anymore?! Well, OK, maybe that’s none of this snitch’s business, too.

But seriously, what's the point of having a blog that nobody fills in on a fairly frequent basis, especially one that is shared by over 10 people?

Anywho...Moving on, I came across this interesting piece on the Net after I typed in "How to be a good actor" in Yahoo search (What, what's so funny?) : o

Some, not all, of the points here can even apply to us (NOT that I want to be the Director or anything like that).

Anyway, here it is...

"If you are inexperienced or are a novice actor, here are some more advice. You must have talent. There is much more to acting than the glamour and glitter of Hollywood. Don't go into the business if all you want is attention. The demands on a talented actor are numerous. You must know how to do the following and more:

* Know how to develop a character.

* Know how to break down a scene and/or analyse the scene and the entire play/screenplay.

* Understand how the character interacts with the other characters.

* Know what role your character represents...the protagonist, antagonist...etc.

* Learn and know the 'language' of actors.

* Learn about psychology, emotions, human nature. Actors are emotional athletes.

* Learn different techniques of acting: Stanislovsky, Meisner...

* Learn physical movement. Learn about it and learn to do it.
* Know how to move on stage. Know how to move on camera. They are different.

* Know basic technical information and terms. Actors who know things like what a "first position" is are much easier and pleasant to work with than actors who don't know how to work with crew.

* During rehearsals on a set or on stage, know when to talk and when to listen.

* Treat your fans (if you have any) well. Be nice, kind, considerate, and allow room for their social foibles, shyness, and inappropriateness. If you are a celebrity, you might be the only one they have ever met or ever will meet.

* Be careful with the press. They always have the last word. Establish a good relationship with them. You will need them to help you be successful. Learn how to work with them.

* Overnight discoveries are a myth. They are one in a million. They just do not really happen anymore, but they make a good story for the press. That's why you hear about them now and then. Yet upon closer inspection, most "overnight discoveries" have been performing for years.

* Learn and know your lines. Most of us want to work and get the work done so we can do other things of importance in our lives (which does not usually include the actors) and we don't appreciate it when an actor has to do take after take after take because they can't remember their lines.

It's one thing to do take after take for performance delivery reasons. But the real pros know their lines. It's OK to flub now and then, just not habitually. Every time a take has to go again, it costs money and generates extra work for people. Variety on the performance...OK, great, fantastic...dialogue mess-ups...not OK.

* Don't show up on the set stoned, drunk, etc. It is a place of business and there are potentially dangerous situations on the set with equipment, cables, lights, etc. Don't need a drunk or a stoner tripping over stuff and getting hurt, or causing us to get hurt.

And if you get a reputation for that kind of stuff, you'll have trouble finding work. I know of an actor that falls into that category. No one wants to work with him. I've heard he is now cleaning up his act. No pun intended.

* Working on a film can be very fun. But there is a difference between having fun and goofing off. Don't goof off. Be noticed because of your talent, not because you are obnoxious or are talking at the wrong time.

* Show up on time. Waiting on an actor can cost the production big bucks.

* Do what you are asked to do and go where you are asked to go. Wait in the area you are asked to wait. Stand where you are asked to stand.

* It's OK to talk to the crew - the ones who aren't busy working. Or if you don't feel like socialising with the crew, it's OK, too. While shooting is going on, keep your conversations short. Don't be afraid to ask questions about terms you hear crew members saying or what a piece of equipment is called or what it does. We don't mind answering those questions - when we have time.

* Although film-making is serious business, have fun, too.

* Maintain your integrity.

* Don't think the crew don't have any influence on actors getting jobs. I have had directors ask me on numerous occasions about who I might know that would be good for a particular part. I pass on names. And I know names I don't pass on.

And if I know of a part available, I have called actors I think might be good in that part and told them who to contact to audition.

* Learn about the business end of performing and film-making. The more you know, the more it will help you.

Acting is a craft. It is something you spend your life learning. Read, take classes, listen to tapes, go to seminars. But you must act. Always be performing. Somewhere, anywhere. For pay or for free. Do it for the love of acting, not because you think you will get rich.

Most actors are what is called 'working actors'. They drive themselves to work (not in a limo), they are just one of the gang (they are not asked for autographs), they compete for jobs (they don't have movie producers begging at their doorstep) and most 'working actors' in Hollywood make about US$5,000 a year...which is below poverty level. They have other jobs to support them. Act because you love it."

COOOOOL. So hope you all learnt something. (How patronising was THAT?) Before I leave, I would just like to say that I'm sorry (no, really, I'm not) for the way I've been acting lately. Some of you know how tiring and trying this past week has been for me =(
Special thanks to those who wished me Happy Birthday and showed some manners ; P My sincerest appreciation goes out to Diana and Keej, who patiently and successfully turned this clueless but sexy guy even sexier for David OTTER, on our journey (OK, shopping trip) together in preparing for our roles. Lastly, Darman, I don't know what to say, for you turn my frown upside down =)
Ciao, y'all! (See, original, right? Shut up) Can't wait for our practice tomorrow, when we most probably will meet some very important people. See you 9-10pm : D